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Sappho 31 is an archaic Greek lyric poem by Ancient Greek female poet Sappho of the island of Lesbos. This poem was in antiquity known as phainetai moi (φαίνεταί μοι) after the opening words of its first line, or Lobel-Page 31, Voigt 31, Gallavotti 2, Diehl 2, Bergk 2, after the location of the poem in various editions containing the collected works of Sappho. The poem is a good representation of archaic lyric poetry, in that the persona and personal emotions of the poet are central to the poemʻs form; it is written in the first person singular, and the speaker is a woman in love with another woman, as in so many of Sapphoʻs poems. Some have seen it as a fragment from an epithalamion - a wedding poem, intended to be sung to the bride at the entrance to her nuptial chamber; it does not share any of the attributes of the classic form called enkomion - a poem of praise. It is perhaps Sappho's most famous poem.〔(Reading Sappho: contemporary approaches ), Ellen Greene, University of California Press, 1996, ISBN 0-520-20601-0, p.58,64-67.〕 Sappho 31 was one of the two substantially complete poems by Sappho to survive from ancient times, written in Sappho's vernacular form of Greek, the Lesbian-Aeolic dialect. More fragments have been found in recent years, particularly in the Oxyrhynchus papyri. Sappho adopts her usual metrical form, the Sapphic meter of four lines: three lines of eleven syllables, and a fourth line of five syllables. Four strophes survive, plus a fragment of a fifth verse or concluding line. Sappho's poems were designed to be sung, and use direct and emotional language. The author starts by praising the beauty of the bridegroom, likening him to a god, but then describes her jealousy and the physical manifestations of her distress upon seeing a young woman whom she loves with her new husband, the epiphany bringing her to a symbolic death. The word choice, with alliteration and assonance, and repetition of short clauses - particularly the conjunction "δέ" - build up a rhythmic effect similar to a ritual incantation. Longinus's treatise ''On the Sublime'' (Περὶ ὕψους, Perì hýpsous) selects the poem as an example of the sublime for the intensity of its passionate emotions. It was quoted in Plutarch's "Dialogue on Love" (Έρωτικός, Erotikos) in his ''Moralia'' (a Latin translation of the original Greek title, Ἠθικά, Ethika, Ethics). The opening words of the poem - "he appears to me, that one, equal to the gods..." - are almost identical to the opening of Sappho 165, with the pronoun changed ("her" in Sappho 165 rather than "me" in Sappho 31).〔(The Cambridge companion to Greek mythology ), Roger D. Woodard, Cambridge University Press, 2007, ISBN 0-521-84520-3, p.29-35. 〕The poem was adapted by Roman poet Catullus, and addressed his muse Lesbia, in his erotic poem Catullus 51, which begins "Ille mi par esse deo videtur" ("He seems to me to be equal to a god"). A (scholarly reconstruction ) by Armand D'Angour has used the evidence of Catullus's sapphic poem 11 as well as poem 51 to suggest that the original poem may have had up to 8 stanzas. ==Text== (詳細はウィキペディア（Wikipedia）』 ■ウィキペディアで「Sappho 31」の詳細全文を読む スポンサード リンク
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